I totally love the the tonal sound of the B&D 29 hole perforated tone rings installed in the ‘Super’ and ‘Silverbell’ model tenor banjos. The Super Tenor was built from 1920 to 1927 by the Fred Bacon Banjo Company in Boston, Massachusetts. This banjo with a serial #22038 was one of the last production line built in 1927. This banjo is in excellent original condition with excellent nickel plating throughout and original lacquer. The Super Tenor is built with Birdseye Maple, Ebony for the fingerboard, and fairly elaborate Mother of Pearl inlays, especially to the headstock. The 5 piece neck is nicely profiled for Irish trad playing with good frets and has nice low playing action complete with original Grover PAT. offset pancake geared tuners which hold the tuning well.
Banjo details
Birdseye maple resonator with centre rings and black binding edge
19 fret tenor banjo from 1920’s made by the Puntolillo Company, New York. Around 1924 Puntolillo began building S. S. Stewart branded banjos and did so for several years, the Stewart Wondertone models are Puntolillo products. Before the big 20’s tenor banjo boom he was making open back 17 fret models under the names The Bell and Princess and they had a different tone ring design than Puntolillo’s later 1920’s 19 fret tenor banjos. In the 20’s, of course, he had his own Majestic line and also produced banjos named Regina and Symphony. I suspect his instruments were an inspiration for the Clifford Essex Paragon as some models have the same vertical holes through the rim.
It’s archtop tone ring patent was issued in 1920 to Gaetano F. Puntolillo and it is this which gives this instrument its unique tonal qualities. I would put this banjo on a power with most professional level banjos, it has a sweet sustain with bass resonance and a rich soft tone. His work is more creative, even fanciful, than many builders of his period. People have asked me from time to time to recommend a good quality tenor banjo and of course this could open a never ending debate. Of lately I have been setting up, servicing and restoring quite a few of the Majestic brand banjos for customers and they are truly individually, little understated treasures. If Puntolillo was alive today I would market his instruments.
Banjo details
Rounded tone ring seated on flat bar archtop tone ring which is very different to his usual tone rings. In addition to the tone ring the maple wooden rim is fitted with a nickel plated flange. It is in incredible condition for an early 1920’s vintage instrument which has been very well cared for over the decades.
The 9 piece neck is constructed from rosewood with double centre pear wood/maple centres, triple wood laminate along the rosewood fretboard, which is perfectly straight with nice low playing action. The rosewood neck is decorated with floral pattern mother of pearl inlays and there is little wear to the original vintage frets. The head stock is very tastefully decorated in beautiful mother of pearl floral inlay bearing the name ‘The Bell’. The tuners are original Waverly tuners which all work fine.
The rim construction is 3/4 inch thick maple multiply laminate with outer rosewood veneer, housing the 22 circular shoes, hooks & nuts which remarkably resemble the Bacon & Day type. This lends me to think that Puntolillo bought various parts from Fred Bacon’s banjo company. The neck is attached to the rim by a centre 1/2″ circular bar. The construction of the maple resonator is finished in 2 piece rosewood which is 1″ thick side walls which makes the banjo body quite thin . The banjo is fitted with a new Remo 10 – 15/16″ white frosted head. Other great features are the original Waverly Kershner tail piece and arm rest. Woodwork and nickel plating throughout is in excellent condition and comes with a vintage hardshell case.
